Showing posts with label body. Show all posts
Showing posts with label body. Show all posts

5/13/26

NEW! I am very excited to share that my poem "Too Much or Not Enough" is appearing In Conversation at The Literary Underground!

"We’re not bleeding yet, then we’re too bloody,
then we’re dried out, thrown away.

We’re too little or too big or
nothing special. We used to be
doll-like but kept growing bigger
and older and closer to disintegration."

the beginning of my poem, "Too Much or Not Enough", which is newly appearing In Conversation at The Literary Underground!

read more by clicking the link below...

https://theliteraryunderground.org/blog/2026/05/13/too-much-or-not-enough-by-juliet-cook/

***

Currently this is the first poem in a sequence of interconnected poems I've been working on for quite a while now, so I guess I shall see what happens with that. Maybe when it's finally semi-done, I may try to turn it into a chapbook length manuscript of sorts.

6/11/19

Poet Spotlight: Juliet Cook on dolls, body, and uncomfortable poetry

"Not too long after I had the manuscript completed, I then started to feel kind of weird about the collection, because I feel like it might be almost TOO confessional in a way that makes me seem really unappealing — not in terms of my poetry itself; but in terms of my negativity, my lifestyle choices, my relationship issues, my body-focused issues and related attributes — but that was what felt the need to come out in this collection, uncomfortable or not."
I have an Interview up today, focused on my poetry chapbook, "DARK PURPLE INTERSECTIONS (inside my Black Doll Head Irises)" and lots of other poetry stuff too.
Thank you very much to Andrea Blythe for including me in her Poet Spotlight!

HERE - 
https://www.andreablythe.com/2019/06/11/poet-spotlight-juliet-cook/?fbclid=IwAR1aJQeRKvnEdsuOxJ0-FTY0qjRkl-a0hDfC0vl2fMx4sG_sKpaAXC1f-Oc


6/29/17

NEW in The Rising Phoenix Review - Trap

"I don’t want to be a body stared at
and held down and screamed at
and told what my body does or doesn’t deserve."
from my poem "Trap", now up at The Rising Phoenix Review

3/17/17

PJ Harvey's Sheela-na-gig

Sheela-na-gig is the first song I ever heard by PJ Harvey, my second year in college maybe?
This song is what got me into her in the first place. It's from her first album, "Dry", which came out in 1992 (and was a pretty short album - and I think her second album came out shortly after her first album in 1993).
Over the years, she's had lots of different albums come out and a lot of them are really stylistically different from each other, and some I like better than others (I especially love the first three; my personal favorite is probably her third album, "To Bring You My Love" whose overall style strikes me as artsy Goth rather than dress style/dance club Goth).
When I first heard this song, probably before I was even 20, I loved her voice and lyrical stylings right away. She seemed unique, she seemed different, and she seemed like she was purposely choosing to express whatever the hell she felt the need to express, which is what should always be done with poetry/art/music in my opinion.
The title of the song, "Sheela-na-gig", refers to figurative carvings of naked women displaying an exaggerated vulva. To me, the song lyrics were an implication about how some men interpret some women as nothing but body parts with holes to penetrate. In some men's eyes, who cares what might exist beyond that temporary penetrative hole.
If a woman enjoys her own body and sex as much as the man, then that woman must be some sort of slutty slot machine, who you could temporarily fuck the shit out of, but then quickly move on and never think about that sort of female as a serious partner or potential wife, because come on. Serious women can't be as into their own bodily pleasure as hard working men are for fuck sake.
Any woman who is really into her own body focused pleasures must just be some self-focused, body-focused exhibitionist, on display for men's eyes. Heck, women who sexually exhibit their own bodies are nothing but body-focused whore flesh in some men's eyes (even in some other women's eyes too). Only men are supposed to offer sexual commentary about female bodies. Women aren't supposed to offer their own bodies for anything other than male-focused sexual pleasure or for non-exhibitionistic procreation.
Anyway, that commentary derived from part of how I perceived this song 25 years ago.
And actually, well beyond that twenty plus years ago (or more recently than twenty plus years ago, I should say), it's still too bad that when you're a slightly exhibitionistic woman with a high sex drive, a lot of men just seem to view you as a hot quick temporary fix sort of sex partner body, without much mind or depth beyond that.

12/14/12

“Naming mounds in order to find ways to sustain them” (new mini poetry chapbook review)


One reader’s view of “performing Chod until post-natural indigenes” by j/j hastain

(Grey Book Press 2012)

This small, well-designed poetry chapbook, published by Grey Book Press, includes poetic content by j/j hastain, featuring unique portals of experimental mind/body fusion.

The word Chod as part of this chapbook’s title did not draw me in with extreme interest, because content wise, I’m not particularly interested in the transcendental, spiritual realm when it comes to poetry. Chod is a sort of spiritual practice known as “cutting through the ego”, but as is the case with much of the poetry I’ve read by hastain, the cuts seem largely body based and sexual – indicating that the mind from which such content derives might also be body based and sexual.

In this case, instead of being body based and sexual in a standard sort of way, the approach is more experimental and could be perceived as a sort of bodily transitioning.  

As noted in one poem –

“I have always pictured heavenly masses as porous darknesses. As relief
from traditional light.”

As noted in another poem –

“Power exchange is what makes me into a sexuality. So never just one

preferred ignition. The bird wings are not attached to birds’ bodies”

This performing collection focuses on different sorts of bodily based approaches, but despite that, isn’t power exchange still sort of a sexual cliché, even if the power exchange is experimented with?  Maybe/maybe not. 

Even when experimenting with power exchange, why must the primary device to experiment with be body parts?  For example, the repeated use of words like “erotica” and “genitals” and “Genital charts” does not bother me as much if I perceive it as someone creating their own genitalia.  However it is pictured or perceived though, there is still a focus on body- based endeavors, genitals, and orgasms throughout this chapbook – and some will be interested in this approach and some will not.

For me personally, the collection is uniquely well written, but too bodily/sexually based to appeal to me on a multi-faceted mind-based level. I am not a non-sexual individual or a person who is unwilling to experiment in that realm, but even if genitals and other body parts and positions can be uniquely created and/or transformed by personal choice, that still does not cause my mind to compare genitals to cosmic forces – and sometimes I think that is how this collection is perceiving and attempting to explain sex, as some sort of self-created heaven.  I know some people do perceive body part pleasures and their reactions to be a heavenly cosmic force, but I seek more emotional alignment with the physical.

Similarly, much as the word Chod as part of the book’s title did not powerfully engage me , and there was too much of a genital influx for my liking, there were also times when part of a section would really appeal to me, but then be overtaken by the body base.  Even the very first line in the chapbook, “ I wanted to create a psychic halo” quite appeals  to and interests me, until the next half of the sentence, “from the pineal gland”, followed by pineal gland repeated five more times on that page, near “intimacies”, “erotic”, and “orgasms”.

Even though that approach does not suit my style, I imagine it might very deeply appeal to some.

Perhaps some of those who can relate to these lines -

“If, as a child, you were only able to read bible stories, your body becomes a
motile, mythical location that always hurts. There is nothing that will
relieve that

but devotion to divergent

formulae”

Maybe hastain is attempting to deviate and diverge away from standard sexual scriptures, standard genital behavior, and other standard expectations in that realm and create a whole new portal or devotional force field – for those who diverge from the norm, choose to create their own bodies, and desire to continually focus upon and experiment with those bodies.

~Juliet Cook~