Showing posts with label Juliet Cook poetry 2024. Show all posts
Showing posts with label Juliet Cook poetry 2024. Show all posts

12/28/24

Wishing you a REVOLTING Happy New Year brimming with poetry!

My newest poetry chapbook, REVOLTING, is available from CUL-DE-SAC OF BLOOD!

HERE - https://www.culdesacofblood.com/books

(Or feel free to ask me if you'd like to acquire one directly from me and let it revolt its way into your New Year)!

***

"When your New Year begins
with having another person's judgments rained down upon you,
as if attempting to shrink you
closer to her
by insinuating
that your own style is unclean,
dirty, every room in your house filled with unacceptable
mold. The mold takes precedence
over your poetry. The mold must be focused upon
more than your poetry."

in the poem "A Moldy Bathtub Is a Sin and You Must Repent Forever, Because She Said So" (which appears within my REVOLTING chapbook)


***

"This is such a good book. Rips off the scab and gives the wound oxygen. Some of Cook's best work."

A little Goodreads Review of REVOLTING. Thank you very much to John Burroughs!
In case anyone else who reads it might be interested in Reviewing it (via Goodreads or elsewhere) or recommending it or... Here is the Goodreads link - https://www.goodreads.com/book/show/222804547-revolting

***

Furthermore, I am also very excited to have another new poetry chapbook manuscript, "Blue Stingers Instead of Wings", recently chosen for publication by Pure Sleeze Press and forthcoming in Spring 2025!
Viva la Poetry!

12/16/24

Read a few more poems from my NEW poetry chapbook, REVOLTING!

Here is a link to a new Cul-de-sac of Blood Instagram post, in which you can Preview some of the poems within my new poetry chapbook, REVOLTING!

https://www.instagram.com/p/DDo9IIAxQGB/?img_index=1

REVOLTING is available from Cul-de-sac of Blood HERE - https://www.culdesacofblood.com/books
Or if you'd like to acquire a copy directly from me, feel free to ask...




11/8/24

NEW! Happy to have my poem "Disabled Cook Resigns" making an appearance in the Autumn/Winter 2024 Issue of Sein und Werden!

"A nervous breakdown stuck inside
an Easy-Bake Oven
with pre-designated frosting mix
doesn't easily keep me all together."

in my poem "Disabled Cook Resigns", which is now appearing within the NEW Autumn/Winter 2024 Issue of Sein und Werden, with its Locard's Exchange Principle theme.

I'm delighted to be included and excited to read more of the issue!

Here is a link to my poem - http://www.kissthewitch.co.uk/seinundwerden/autumn-winter24/page41.html
And here is a link to the whole issue - http://www.kissthewitch.co.uk/seinundwerden/autumn-winter24/

10/8/24

NEW! Two of my creepy poems are appearing in Cul-de-sac of Blood!

I have two new short poems appearing in Cul-de-sac of Blood!

Usually when I have new poems up, I share a few lines from one of the poems, but this time I'm sharing Cul-de-sac of Blood's description of my poems because I love their description!
Furthermore, after you read the two poems, if interested you can click on "Learn More About These Poems".
Here's what Cul-de-sac said about my poems:
"Rotting bear dolls & chicken brains erase our heads & replace them with images of themselves, & though we might not have a name for this process, Juliet Cook’s poems show us what it feels like to find ourselves somewhere between foreground & background."
Read the poems HERE - https://www.culdesacofblood.com/juliet-cook-3
This photo of Henry Spencer (played by Jack Nance) in Eraserhead (directed by David Lynch) initially inspired the first poem.

10/7/24

If I suddenly died, my poetry files wouldn't make sense to anyone else...

Most of my poems seem to range from one third of a page to one half of a page to almost a whole page to a little bit longer than a page to a page and a half (with occasional exceptions that are shorter or longer). But the poem I'd been working on for a while and recently finished (at least for now) is almost three whole pages long (and at least somewhat different from my norm in other ways too). I'm not usually drawn to long poems, because I'm a slow reader, and so if I see a poem that's more than a page long, I'm less likely to dive into reading it if my time feels limited. But this poem of mine is a weirdo and is doing what it wants to do.

Somewhere in the process of working on this poem, I also started thinking about how my process has changed over the years. For many years, I wrote everything on paper until a poem seemed almost done; then I would switch to the computer to see how the formatting looked when I typed the words from hand writing to the screen. I'd make a few more revisions on the computer and then print out the completed poem. If I changed my mind later and made more revisions and then printed out the revised version, I'd still keep the previous version(s) on my computer and on paper with the previous version(s) stapled to the revised version(s).

In more recent years, I don't care so much about saving all the drafts of a poem in progress. I'm not saying I delete things fast, but if a poem in progress ends up turning into a very different poem, I don't usually have a problem deleting the earlier version and just starting over with the new version and so on and so forth. I do still print out a copy of every completed poem though, so they're not just on my computer. But the printed out versions are oddly organized, as are the online versions. I mean, I know how and where I have them organized, but if I suddenly died, my files wouldn't make sense to anyone else.

I'm not a very organized person in terms of how things are stored in my home OR on my computer. As far as my computer files go, I store and organize works-in-progress in various phases, but there's so many works-in-progress that I save while they're in progress and then forget to delete all those in progress documents. I do have a somewhat organized separate file for my completed poems though, entitled "Juliet POEMS".

I'm someone who has been writing poetry for over 30 years now, so if I saved all my drafts and in progress poems, my space would be inundated with works-in-progress, as well as documents from the past that I just never deleted or got rid of. It already is to a certain extent. I guess I'm in the middle with that sort of stuff and maybe I always will be. I most certainly don't desire to forget or ignore or delete the past (especially in terms of my poetry), but I most certainly do prefer to focus on the present.

On a semi-related note, another part of the reason I still have a lot of files, documents, and pieces of writing (most certainly not just poems) from the past is because I don't feel like focusing on a bunch of past documentation (such as old hand-written letters, old photos, old files, etc...) in order to decide what I should or shouldn't get rid of, because then my mind would focus on the past to make those sort of decisions.

9/7/24

NEW! Four of my Poems are making an appearance in A Thin Slice of Anxiety!

"They want us to join another group.
Fit in. Assume their assumptions
are new. Act as if their spastic consultations
are truly shocking. Type more short
circuited, almost automatic praise
to the latest leader of this crazed bandwagon.
Secondary members get cut off
or caught up in the outrage
of fluctuating speculative membranes.
Glistening fluid spews itself out
from underneath the latest console,
gets swallowed up then re-harvested"
I am delighted to have four poems making an appearance in A Thin Slice of Anxiety!

7/22/24

Re-sharing my Snow Angel Position With Dread poem (which was re-shared by Pinky Thinker Press, who published it in April)!


"On page 27 of Pinky Thinker Press Issue No. 11, you can find “Snow Angel Position With Dread” - a poem by Juliet Cook! Juliet is the author of numerous poetry chapbooks, most recently including red flames burning out (Grey Book Press, 2023), Contorted Doom Conveyor (Gutter Snob Books, 2023), and Your Mouth is Moving Backwards (Ethel Zine & Micro Press, 2023). She has another new poetry chapbook, REVOLTING, forthcoming from Cul-de-sac of Blood in fall 2024."

Read and look at and watch and listen to more of Pinky Thinker Press No. 11 HERE - https://www.mignolo.art/ptp

6/29/24

NEW! I am peculiarly thrilled to have a creepy collaborative clown poem appearing in Horror Sleaze Trash!

"The oldest of the clowns forms the apex of a rotting and sadistic pyramid in which hellbent volcanic ash pours out of the mother clowns mouths like a gravy vat of drying blood."

in Alex S. Johnson and I's creepy collaborative clown poem, "Greasepaint Inferno", which is now making an appearance within Horror Sleaze Trash HERE - https://horrorsleazetrash.com/2024/06/29/juliet-cook-and-alex-s-johnson/

6/11/24

NEW! I am excited and delighted to have two poems appearing in the 20th anniversary issue of Sein und Werden!

I am excited and delighted to have two haiku poems appearing in the Spring/Summer 2024 issue of Sein und Werden!

The theme of this issue is To Settle a Score and it's the 20th anniversary issue of this magazine!
Here is one of my two poems, called "VIOLENT DREAD" and if you visit the link to the magazine (below the poem), it appears next to an art piece called "SELF-PORTRAIT (UNDEFINED HORROR)" by Julie Blankenship. I love the poem and art piece next to each other.

***
VIOLENT DREAD
Every bit of depth
shot down into dread. Psycho
babbling brooks with hooks.
If internal angst
internally combusts, eyes
will explode. My head
a human-sized blood
bath of burnt dumplings. Sauced out.
Splattering your plate.
http://www.kissthewitch.co.uk/seinundwerden/spring-summer24/page31.html
***
It's hard to believe that this is the 20th anniversary issue of Sein und Werden and that I've had creative work appearing in this literary magazine (on and off) ever since Sein und Werden began. Sein's creator, primary editor, and writer Rachel Kendall and I first got to know each other on xanga (a blog platform that hasn't existed for years). It's hard to keep a literary magazine alive for this long, so cheers to Rachel. This issue also includes some Interviews with Rachel, such as an Interview about The Storied History of Sein und Werden.
I shall stop my babbling for now, but again, I'm delighted to be included in this 20th anniversary issue and will place a link to the whole issue below...

5/1/24

NEW! My short poem "Sweet Tooth" is making an appearance in the new issue of Rogue Agent!

Delighted to have my short haiku poem "Sweet Tooth" appearing in the NEW May issue 110 of Rogue Agent!

Wishing you all a happy and poetic May!

Dive in to the latest issue of Rogue Agent HERE - http://www.rogueagentjournal.com/

3/19/24

I am extremely excited to have FOUR NEW POEMS appearing in Cul-de-sac of Blood!

Extremely delighted to have FOUR NEW POEMS appearing within Cul-de-sac of Blood!

Here's the editors description of the poems - The orbitoclast, a tiny hammerhead shark tap tapping us into place. “I was walking through a parking lot” leads us inevitably, somehow, to “I wasn’t sure if I was human anymore.” A standard red horror. In these poems by frequent contributor Juliet Cook, medically-induced terror finds us where we live

Here's a few lines from the poem "Both Similar and Dissimilar" -

I wasn't sure if I was human anymore.
Maybe I was a goose in labor,
giving birth to a subhuman or else   
I was in the middle of aborting my own brain
inside another terrible dream, trapped 
underneath a seeping blue machine
shaped like a giant pill container
with cracked slots that don't keep anything inside.

And here's where you can read all four poems! - https://www.culdesacofblood.com/juliet-cook-2  

Also, underneath the four poems, you can click on a link to learn a little bit more about the poems, such as what inspired them...

3/18/24

NEW! My Non-relaxed "Relax" poem is appearing in the March Issue of Ghost City Review!

Delighted that my non-relaxed "Relax" poem is appearing in the new March Issue of Ghost City Review!

"They will suddenly stab me,
then tell me I'm the one
who is filled with animosity
just because I didn't stay silent."

Here's a link to my poem - https://ghostcitypress.com/poetry0324/2024/3/17/juliet-cook

And here's a link to the whole issue - https://ghostcitypress.com/march-2024-1

1/19/24

Brain Matter, Real Life Horror, Poetry, Personal Thoughts...

I was working on writing this in stages throughout parts of Thursday and now it has tuned into early morning Friday and I am currently feeling better than when I started it, but I figure I might as well finish it for whatever my own reasons are. Despite the time it takes, sometimes writing out my thoughts helps matters (at least some of the matters inside my own brain). I was having one of those days where I felt somewhat upset for no obvious reason and maybe it's partly Winter induced and maybe my mind is exaggerating things and maybe I'll delete this post soon (or make it only visible to myself). Most of this is feeling-based and temporary. I've had a fairly productive week by my own personal standards, read some poetry, wrote my first two new poems of this New Year (after not writing much the last few months and starting to feel rather worried that my creative passion was ebbing and my writing style was shrinking and I was becoming too normal and dull). I also completed a new collaborative poem with j/j hastain and revised an old collaborative poem with j/j, all of which are very good things in my mind, regardless of how other people do or don't feel about them. But my own poems also might have inadvertently contributed to my upset feelings, because I don't dash off happy light hearted words, and sometimes my poems involve "poetry research" on disturbing subject matter. And real life disturbing subject matter is way more horrific than blood-drenched gory horror flicks in my mind. And the poem I finished a few days ago initially derived from a movie I watched last weekend that ended up resulting in me researching some disturbing stuff for days (stuff that I already knew about to an extent but hadn't thought about in recent years or had temporarily sort of forgotten about). The short version is that my research involved mental institutions in the past and lobotomies. I wasn't sure why my research and my poem were bothering me so much (well other than the fact that lobotomies are incredibly disturbing - but they're mostly a thing of the past - and they're not related to me personally), but not long after finishing the poem, I was emailing a poet friend who I hadn't emailed for a few months, telling him about my latest poetry chapbook, telling him about having completed my first new poem of this New Year, and while telling him about that, it got me thinking... I thought that my upset-ness might be partially related to a past health issue of mine that resulted in a stroke/brain damage, mild aphasia, and seizure side effects. I'm relatively fine now and/or used to who I have become. But when I was reading about electroshock therapy (which basically electrically induces seizures) and how its "most common adverse effects are confusion and transient memory loss" (which are part of my side effects following a seizure), that elicited some discomfort as to why anyone would want that induced. But what is MUCH MORE uncomfortable is that in mental institutions in the past, it often wasn't up to the patients. It was decided for them and forced upon them. AND if electroshock therapy didn't work the way they wanted it to (they as in the system, not as in the patients), then what if they decided to give that person a lobotomy, which is basically like choosing to make someone personality-less and brain dead, even though there body remains alive. I wondered if some people who had lobotomies felt trapped inside themselves yet unable to personally express their feelings at all. Part of the reason I say that is because some people who had lobotomies ended up committing suicide and there must be a reason for that, feeling-oriented, brain damage-oriented, or otherwise. Even though lobotomies aren't done anymore (at least not legally) and have nothing to do with me personally, it is also possible that part of my research and related thoughts somewhat reminded me of research I'd done in the past related to aphasia (of which I have a very mild version, but my past research indicated that some people with extreme versions, caused by strokes or other brain damages, can't even talk normally at all, regardless of what's going on inside their brain, which nobody else would know because they can't express it - which to me, seems like a form of extreme horror). Not being able to express oneself at all, no matter what's going on inside your head, even though you used to be able to in the past. Thus the idea of surgically causing purposeful brain damage (via lobotomy) is an extreme horror story to me, far more disgusting than a fake horror story, because it was real. Not long after completing my email to my friend, I then started working on another poem, using bits from a poem-in-progress that had been sort of random and that ended up turning into an unobvious, indirect, but more personal connection to the previous poem. I'm very happy I completed two new poems, but whether or not this is fair... sometimes putting emotional energy and time into my poetry (which is of course my own choice and what I passionately choose to do) causes me to feel more annoyed, angry, and even pissed off at how many people don't seem to express themselves on an individual level at all and just post memes and clichés and other people's words (which is of course their choice). Other people don't have to care about my personal thoughts/feelings/ideas or poetry, but I can be bothered by their impersonal clichés. Granted nobody has to express themselves personally on online social media sources, but sometimes I wonder if some people barely express themselves personally anywhere at all. I have significantly toned down expressing myself personally online as much as I used to (other than via my poetry) and that is my personal choice for various reasons, but one small reason is it seems like there's nowhere good to do so anymore. I used to do so on blogs (and still do to an extent, such as HERE), but I don't think blog forums get anywhere near as much attention as they used to in the past. I used to do so more on facebook, but facebook's lay out has become increasingly geared towards Smartphones (and continually scrolling up and down to quickly glance at memes and photos and short text-length phrases and respond quickly or with emojis). A post this long probably either won't show up via Smartphone scrolling or will look like some damned novella on a phone. So anymore when I do write one of my long posts, I figure I'm mostly just writing it for myself, which is fine, because it's sort of like an online journal (and I can re-read it/re-examine it later, if I so choose). But it still bothers me on a variety of levels that online communication (and perhaps even real life communication) in recent years has become increasingly toned down (mentally watered down?) into rather quick and impersonal. Maybe I'm wrong, but that's what it seems like to me. Even in regards to sharing poetry on facebook (or blogs), maybe I'm wrong about this too, but it seems to me that in order for it show up and possibly get much attention (even from other poets), it needs to involve a photo, so you need to take a photo of or scan your own (or someone else's) poem in order to increase the likelihood of other people even seeing it, let alone reading it. But to me, poetry is about WORDS, WRITTEN EXPRESSION, and READING. I usually share a few lines from the poems (mine or other people's) and a link to where one can read more and even most of my poet friends don't seem to see most of those posts. I don't want to feel like I have to include a photo with everything I post if I want it to get any attention. I like some photos, but I also like LOTS OF WORDS.

1/3/24

NEW! One individual poem by me AND two collaborative poems by Daniel G. Snethen and me appear in Misfit!

Happy New Year! I am delighted to have poems appearing within the wonderful Misfit Magazine again, surrounded by all sorts of other wonderful poets!

Issue No. 37, Winter 2024 includes my poem, "Hagfish Slime" AND two collaborative poems by Daniel Snethen and me, "Broken Balloons Seep Out of Our Mouths" and "Cosmic Conundrum of Camel, Cherub and Leech"! Thank you very much to Misfit and Alan Catlin!

http://misfitmagazine.net/archive/No-37/cook&snethen.html

***

"The closest I'll get
to becoming stuck
in a sort of container
is a fish being carried
through a thundering fair.
A slimy hagfish
on top a hot funnel cake.

Screaming instead of
quietly swimming
as they try to swallow me
or throw me away
or place me inside
where they think I belong today."

in my poem "Hagfish Slime"

Read more via the link above.