Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

3/17/17

PJ Harvey's Sheela-na-gig

Sheela-na-gig is the first song I ever heard by PJ Harvey, my second year in college maybe?
This song is what got me into her in the first place. It's from her first album, "Dry", which came out in 1992 (and was a pretty short album - and I think her second album came out shortly after her first album in 1993).
Over the years, she's had lots of different albums come out and a lot of them are really stylistically different from each other, and some I like better than others (I especially love the first three; my personal favorite is probably her third album, "To Bring You My Love" whose overall style strikes me as artsy Goth rather than dress style/dance club Goth).
When I first heard this song, probably before I was even 20, I loved her voice and lyrical stylings right away. She seemed unique, she seemed different, and she seemed like she was purposely choosing to express whatever the hell she felt the need to express, which is what should always be done with poetry/art/music in my opinion.
The title of the song, "Sheela-na-gig", refers to figurative carvings of naked women displaying an exaggerated vulva. To me, the song lyrics were an implication about how some men interpret some women as nothing but body parts with holes to penetrate. In some men's eyes, who cares what might exist beyond that temporary penetrative hole.
If a woman enjoys her own body and sex as much as the man, then that woman must be some sort of slutty slot machine, who you could temporarily fuck the shit out of, but then quickly move on and never think about that sort of female as a serious partner or potential wife, because come on. Serious women can't be as into their own bodily pleasure as hard working men are for fuck sake.
Any woman who is really into her own body focused pleasures must just be some self-focused, body-focused exhibitionist, on display for men's eyes. Heck, women who sexually exhibit their own bodies are nothing but body-focused whore flesh in some men's eyes (even in some other women's eyes too). Only men are supposed to offer sexual commentary about female bodies. Women aren't supposed to offer their own bodies for anything other than male-focused sexual pleasure or for non-exhibitionistic procreation.
Anyway, that commentary derived from part of how I perceived this song 25 years ago.
And actually, well beyond that twenty plus years ago (or more recently than twenty plus years ago, I should say), it's still too bad that when you're a slightly exhibitionistic woman with a high sex drive, a lot of men just seem to view you as a hot quick temporary fix sort of sex partner body, without much mind or depth beyond that.

9/16/11

Profiles in Poetics: Juliet Cook

Aesthetic Diversity of Women Writers in the 21st Century

(interview questions answered by me and asked by Jillian Mukavetz, which originally appeared upon the Women's Quarterly Conversation online site)

http://www.associatedcontent.com/article/8400339/profiles_in_poetics_juliet_cook.html?cat=72

1/2/10

Happy New Year!

I have two new poems published to start the New Year, in two differerent online poetry publications.

The first I'll mention is an older poem called 'Sullied Honey'. Several years ago, this piece was accepted by a horror genre magazine called Poe Little Thing, but the issue it was supposed to appear in never materialized, as far as I know. Maybe the magazine folded or something. This poem never quite seemed to fit into any of my collections, but I still liked it, so I eventually decided to resubmit it--and it was picked up by the wonderfully quirkilcious ROBOT MELON.

Check it out in issue ten (click the N) here:

http://www.robotmelon.com/

If so inclined, you can also click the T to visit issue 5 from the archives, to read a couple more of my poems: 'Glass Cake Plate' (which also appears in my first full-length book Horrific Confection) & 'Pepper Shaker' (which also appears in my chapbook, PINK LEOTARD & SHOCK COLLAR).

As for the aforementioned 'Sullied Honey', it appears nowhere excerpt HERE (along with work by Nicolle Elizabeth, Mark Cunningham, Jac Jemc, and more):

http://www.robotmelon.com/issueten.html

I also have a NEWER new poem published in a VERY new (first issue new) female-centric literary magazine called Bone Bouquet, which you may check out HERE (along with work by Daniella Pafunda, Sarah Vap, Allison Layfield, and more):

http://bonebouquet.wordpress.com/

If my Nellie Oleson poem piques your interest, I have another Nellie Oleson poem currently online in Prayers for Children, HERE:

http://www.prayersforchildren.be/first-degree.htm

I also have another piece from this mini-series forthcoming (in print) in The Columbia Poetry Review.

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I desired to post a new issue of Thirteen Myna Birds for the New Year and I shall soon, but I'm still craving at least a few more pieces of new content to add to the furiously fizzy little mixer. Check out my guidelines at http://13myna.blogspot.com/ and if you think you have some material that fits the bill aka beak, do feel free to send it my way. I have four new pieces of content waiting in the wings right now and as soon I receive a few more that ruffle my feathers the right way, the new issue shall be brought to life, hopefully by the middle of the week.

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Speaking of female-centric literary, I'm trying to finish up a piece for the upcoming Delirious Hem forum 'This is What a Feminst Poet Looks Like'; the forum will tentatively hit the scene January 15, so stay tuned for sundry and diverse takes on feminist poetics from a variety of hot female poets. I'm writing about meat curtains in mine.

As if that isn't juicy enough, I will be writing a new column for Read Write Poem this year (2010 baby), loosely centered around the theme of (conflicted) feminisms and (warped) poetics, so keep an eye out for more details about that soon.

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P.S. Once more for good measure--some best poetry books of 2009: http://bit.ly/4VPoyg (and coming soon--some predictions for 2010).